An 18th-century Italian walnut dressing or writing table featuring an inset mirror, single frieze drawer, and raised gallery with a shaped crest and narrow shelf. The table is supported on turned legs joined by a boldly shaped crossed stretcher, with beaded molding providing additional decorative detail.

 

The wood retains a warm, richly aged patina with visible wear, staining, scratches, and patination consistent with age and use, giving the piece considerable character.

An oil on board folk art cat painting by American artist Warren Kimble, depicting a large black-and-white cat resting on a colorful patchwork cushion. The simplified form, flattened perspective, and warm, muted palette are characteristic of Kimble’s distinctive American folk art style.

 

Signed “Warren Kimble 1990” at the lower right, the work has a charming graphic quality with intentionally rustic surface texture and decorative detail.

A fantastic early 20th Century Bradley & Hubbard cast-iron figural doorstop, modeled as a woman in period yellow dress carrying a basket of flowers. The figure is richly detailed with a bonnet, shawl, full skirt, and floral motifs, retaining an appealing polychrome painted surface in yellow, white, green, and darker tones.

 

In original paint, mounted on a substantial rectangular base with incised geometric decoration, the doorstop displays minor paint loss, rubbing, and surface wear consistent with age and use. American.

A wonderful American cast-iron rabbit doorstop, realistically modeled as a seated hare with upright ears, alert expression, and finely textured fur. The simple sculptural form gives the piece an appealing traditional garden and country character.

 

Finished in repainted white paint, the surface displays minor wear and irregularities consistent with age and use. Early 20th Century.

A rare, cylindrical English William IV Bedside Commode in mahogany, with inset leather top and a hinged circular lid, incorporating a removable white ceramic chamber pot with molded and relief-decorated cover. The compact form features richly figured mahogany veneer and a projecting front section with a tooled leather inset.

The mahogany retains a warm, aged surface with attractive grain and patination, along with minor wear and surface variation consistent with age and use. Second quarter 19th Century.

A 19th century English papier-mâché serving tray with a black lacquered ground, decorated around the border with delicate gilt floral sprays, blossoms, and trailing foliage. The rectangular form features rounded corners and a gently raised molded edge.

 

The surface displays light scratches, rubbing, and minor wear consistent with age and use, while retaining much of its attractive gilt decoration.

A rare American cast-iron “Fern” garden bench by the Kramer Bros. Foundry of Dayton, Ohio, featuring an elaborate naturalistic pattern of overlapping fern fronds across the back and arms. The pierced lattice seat and gracefully shaped legs complement the open, decorative design.

 

Finished in white paint, the bench displays areas of wear, minor repairs & paint loss, and surface variation consistent with age and outdoor use. 19th Century

A fanciful pair of cast-iron dog-form andirons, each modeled as a stylized seated hound with long neck, drooping ears, and broad chest. The simplified silhouettes give the pair a distinctive folk-art character.

 

The iron retains a dark, naturally aged surface with areas of oxidation, wear, and patination consistent with age and fireplace use. Probably American. Early 20th Century.

An English Mark VI brass telescope by Broadhurst Clarkson & Co. Ltd., popular between World War I & II, featuring a long brass optical tube with a fitted brown leather-covered section. The telescope is mounted on an adjustable brass fitting supported by a substantial three-legged wooden tripod.

 

A handsome scientific and military instrument with an appealing combination of polished brass, aged leather, and dark wood. The surfaces display wear, patination, and marks consistent with age and use. Early 20th Century.

A pair of incredible 19th Century sculptural Italian terra-cotta eagles, each modeled with wings partially spread, open beak, and finely detailed plumage. These large opposing figures are designed as a complementary pair and rest on integral oval bases.

 

Finished in a soft white surface, the eagles have a strong architectural and decorative presence, suitable for display as garden ornaments, entry pieces, or interior architectural accents.